PROGRAMME
November 2, 2017
9.00 a.m. - Registration
9.30 a.m. - Opening Session
10.00 a.m. - Opening Lecture
Clario Di Fabio (Università di Genova), Monumenti funerari italiani tra fine Due e primo Trecento: ricostruzione e musealizzazione. Problemi di metodo e casi di studio
Session 1: The artwork’s creation processes and its agents: from conception and commission to the final work
Session 1.1 Processes of creation and production
Coffeebreak: 11.40 a.m. – 12.00 a.m.
2.30 p.m. – Lecture
Manuel Arias (Museu Nacional de Escultura de Valladolid), Conjuntos sepulcrales en el Museo Nacional de Escultura: de Bigarny a Leoni. Exhibición y problemática
Session 1.2 Image and context
Coffeebreak: 4.50 p.m. – 5.10 p.m.
Discussion: 6.10 p.m. – 6.40 p.m.
7.00 p.m. – Visit to the Collection of Sculpture of the Museu Nacional de Arte Antiga
9.00 a.m. - Registration
9.30 a.m. - Opening Session
10.00 a.m. - Opening Lecture
Clario Di Fabio (Università di Genova), Monumenti funerari italiani tra fine Due e primo Trecento: ricostruzione e musealizzazione. Problemi di metodo e casi di studio
Session 1: The artwork’s creation processes and its agents: from conception and commission to the final work
Session 1.1 Processes of creation and production
- 10.40 a.m. - Alessandro Cosma (La Sapienza Università di Roma), Una tomba per un santo conteso. Gli eremitani, l’arca di San Pietro in Ciel d’Oro e il “nuovo Agostino”: questioni di cronologia e iconografia
- 11.00 a.m. - Marie Quillent (Université de Picardie Jules Verne), Les artisans de la mémoire et leur(s) processus de création: l’exemple des monuments funéraires du diocèse d’Amiens
- 11.20 a.m. - Andrea Pala (Università degli Studi di Cagliari), La scultura funeraria nell’isola di Sardegna tra XII e XIV sec. Rapporti e interazioni con la cultura figurativa del Mediterraneo Occidentale
Coffeebreak: 11.40 a.m. – 12.00 a.m.
- 12.00 p.m. - Francisco Teixeira (Universidade do Algarve), A microarquitectura nos túmulos de D. Pedro e D. Inês de Castro: “dos cadernos de modelos” à mise en abyme
- 12.20 p.m. - Francisco Henriques (Universidade de Lisboa - CIEBA), Os túmulos góticos do Panteão dos Almeida em Abrantes. Estratégias de significação
- 12.40 p.m. - Sophie Oosterwijk (University of St Andrews), Souls of gold, silver and bronze: precious-metal effigial tombs in medieval Europe
Discussion: 1.00 p.m. – 1.30 p.m.
Lunch Break: 1.30 p.m. – 2.30 p.m.
2.30 p.m. – Lecture
Manuel Arias (Museu Nacional de Escultura de Valladolid), Conjuntos sepulcrales en el Museo Nacional de Escultura: de Bigarny a Leoni. Exhibición y problemática
Session 1.2 Image and context
- 3.10 p.m. - Fabien Kommoss (University of Potsdam; University of Zurich), The Eternal Body as Tomb. Iconization of mummified masters in East Asian Chan/Zen Buddhism
- 3.30 p.m. - Sabine Berger (Université Paris-Sorbonne, Centre André Chastel), Les tombeaux des conseillers du roi de France vers 1300: piété et politique sous les derniers Capétiens directs
- 3.50 p.m. - Lúcia Rosas, Ana Cristina Sousa (Universidade do Porto), Enquanto o mundo durar: tempo, espaço e memória a partir de três estudos de caso
- 4.10 p.m. - Francesca Tota (Bibliotheca Hertziana; Max Planck-Institut für Kunstgeshichte), La vittoria sulla morte. Osservazioni intorno all’arca di re Ladislao d'Angiò-Durazzo in San Giovanni a Carbonara a Napoli
- 4.30 p.m. – Diana Lucía Gómez-Chacón (Universidad Complutense de Madrid), A Tomb for a Royal Prioress. The sepulchre of Costanza de Castilla in the National Archeological Museum of Madrid
Coffeebreak: 4.50 p.m. – 5.10 p.m.
- 5.10 p.m. – David Nogales Rincón (Universidad Autónoma de Madrid), The Royal Reclining Tomb Effigy. Continuities and Discontinuities of a Funerary Model in the Crown of Castile (1252-1504)
- 5.30 p.m. – Maurizio Ficari (La Sapienza Università di Roma), A cavallo nell’Aldilà. Il sepolcro di Antonio Rido in santa Maria Nova a Roma
- 5.50 p.m. – Alessandro Diana (Scuola Normale Superiore, Pisa-Firenze), La rappresentazione del libro nella scultura funeraria: un’indagine critica dall’antichità al Rinascimento
Discussion: 6.10 p.m. – 6.40 p.m.
7.00 p.m. – Visit to the Collection of Sculpture of the Museu Nacional de Arte Antiga
November 3, 2017
9.30 a.m. – Lecture
Susie Nash (The Courtauld Institute of Art), Time, Dust and Polish: Dinant marble in tombs for the courts of France and Burgundy
Session 2: The artworks’ reception: uses, abuses and interpretations
Session 2.1 Funerary sculpture and liturgy
Coffeebreak: 10.50 a.m. – 11.10 a.m.
Session 2.2 Commemoration process
Discussion: 12.30 p.m. – 1.00 p.m.
Lunch Break: 1.00 p.m. – 2.30 p.m.
Session 3: The artworks’ “manipulation”: interventions, transfers and decontextualisations
Discussion: 3.50 p.m. – 4.10 p.m.
Coffeebreak: .4.10– 4.30 p.m.
Session 4: Research Projects
Discussion: 6.15 p.m. – 6.45 p.m.
Exhibition of the Research Projects’ Posters
9.30 a.m. – Lecture
Susie Nash (The Courtauld Institute of Art), Time, Dust and Polish: Dinant marble in tombs for the courts of France and Burgundy
Session 2: The artworks’ reception: uses, abuses and interpretations
Session 2.1 Funerary sculpture and liturgy
- 10.10 a.m. – Lizzie Swarbrick (University of St Andrews), “Avise la Fin”: Bishop Kennedy’s Tomb and the Performance of the Liturgy at St Salvator’s, St Andrews
- 10.30 a.m. – Andrew Murray (University College London), Processional and Memorial Rituals amongst the Mourners of Philip the Bold’s Tomb
Coffeebreak: 10.50 a.m. – 11.10 a.m.
Session 2.2 Commemoration process
- 11.10 a.m. – Pierre-Vincent Claverie (Centre de recherche scientifique de Chypre), Les éloges funèbres dans l’art funéraire de Terre Sainte et de Chypre à l’époque des croisades
- 11.30 a.m. – Cristina Stancioiu (College of William and Mary, VA), Cypriot Funerary Portraiture in Stone ant Paint, late-13th-15th centuries
- 11.50 a.m. – Luigi Tufano (Università degli studi di Napoli “Federico II” – CESURA), Le parole dei nobili. Epigrafi pseudo-parlanti e tombe nobiliari nella Napoli aragonese tra modelli culturali, propaganda politica e celebrazione familiare
- 12.10 a.m. – Vanessa Bortulucce (Museu de Arte Sacra de São Paulo), Iconografia medieval na arte tumular do cemitério da Consolação e da Necrópole São Paulo
Discussion: 12.30 p.m. – 1.00 p.m.
Lunch Break: 1.00 p.m. – 2.30 p.m.
Session 3: The artworks’ “manipulation”: interventions, transfers and decontextualisations
- 2.30 p.m. – Elisa Eccher (Università degli Studi di Trento), Il Monumento Bossi già nella chiesa di San Marco a Milano: vicende critiche e proposte attributive
- 2.50 p.m. – Jorge Prata (Universidade de Coimbra), O Património como Preservação ou Construção da Memória: a transladação dos túmulos de Pedro e Inês
- 3.10 p.m. – Sonia Morales Cano (Universidad de Castilla-La Mancha), Una sepultura de alabastro convenyble a mi persona. El sepulcro de Doña Aldonza de Mendoza, domus aeterna para la memoria y la salvación
- 3.30 p.m. – Lisa Rafanelli (Manhattanville College, NY/USA), From Imitazione to Musealization: The Afterlife of Michelangelo’s Pietà in the 16th-18th centuries
Discussion: 3.50 p.m. – 4.10 p.m.
Coffeebreak: .4.10– 4.30 p.m.
Session 4: Research Projects
- 4.30 p.m. – Mirko Vagnoni (Université de Friburg), Royal Epiphanies. The King’s Body as Image and Its Mise-en-scène in the Medieval Mediterranean (12th-14th centuries
- 4.45 p.m. – Giulia Rossi Vairo (NOVA FCSH - IEM, UNL - CIEBA), Ad futuram Regis memoriam: o restauro do túmulo do rei D. Dinis
- 5.00 p.m. – Joana Ramôa Melo, António Candeias (NOVA FCSH - IEM e IHA; LabHercules-UÉvora), Desvendando as cores medievais. Um estudo de caso: a Capela do Fundador em S. Maria da Vitória, na Batalha
- 5.15 p.m. – Mª Júlia Fonseca, Fernando Costa (Mosteiro de Santa Clara-a-Velha; Instituto Politécnico de Tomar), Escultura de Cristo jacente – Dificuldades de intervenção de restauro
- 5.30 p.m. – Leo Lecci, Luca Bochicchio (Università degli Studi di Genova), Staglieno, il cimitero monumentale di Genova: da centro di diffusione del gusto ottocentesco a laboratorio sperimentale di museo 2.0
- 5.45 p.m. – Viviane Comunale (Universidade Estadual Paulista Júlio de Mesquita Filho), Tipologias e o património artístico no Cemitério Consolação em São Paulo
- 6.00 p.m. – Tom Verhofstadt (Epitaaf vzw, Bruxelles), An unique funerary plaster collection – The Salu Company in Laken, Brussels
Discussion: 6.15 p.m. – 6.45 p.m.
Exhibition of the Research Projects’ Posters
November 4, 2017
Session 5: Preserving the artworks, preserving the memory: actions for conservation, valorization, musealization
Coffeebreak: 10.00 a.m. – 10.20 a.m.
12.00 p.m. – Final Remarks
Xavier Dectot (National Museum of Scotland)
12.30 p.m. – Closing Lecture
Manuel Botelho (Universidade de Lisboa), A (im)permanência do gesto
Lunch Break: 1.00 p.m. – 2.30 p.m.
2.30 p.m. – Departure for Odivelas for the visit to the Monastery of S. Dinis
Session 5: Preserving the artworks, preserving the memory: actions for conservation, valorization, musealization
- 9.00 a.m. – Jessica Barker (University of East Anglia), A Visual and Scientific Analysis of the Tomb Effigy of the Black Prince in Canterbury Cathedral
- 9.20 a.m. – Valeria Danesi, Jacopo Curzietti (La Sapienza Università di Roma), Memorie funerarie medievali in S. Giovanni in Laterano. Un pionieristico caso di allestimento e riqualificazione nella Roma del Seicento
- 9.40 a.m. – Haude Morvan (Université de Bordeaux Montaigne, UMS Ausonius), “Un des plus superbes tombeaux qui soit en France”: la fortune de la tombe clermontoise du cardinal Hugues Aycelin
Coffeebreak: 10.00 a.m. – 10.20 a.m.
- 10.20 a.m. – Sophie Jugie (Département des Sculptures, Musée du Louvre), Le tombeau de Philippe Pot: l'histoire matérielle de l'œuvre au service de sa conservation
- 10.40 a.m. – Chloe Sharpe (University of York), Cemeteries as museums, museums as cemeteries: Exhibiting Spanish funerary sculpture, ca. 1900
12.00 p.m. – Final Remarks
Xavier Dectot (National Museum of Scotland)
12.30 p.m. – Closing Lecture
Manuel Botelho (Universidade de Lisboa), A (im)permanência do gesto
Lunch Break: 1.00 p.m. – 2.30 p.m.
2.30 p.m. – Departure for Odivelas for the visit to the Monastery of S. Dinis